Or perhaps more appropriately, since I'll be talking about the 19th Century: Free Love, Absinthe, and Poetry.
It seems there has long been a connection, in Western Civilization at any rate, between avant-garde art, social deviance, and progressive/liberal/radical politics. Think of Lord Byron (1788-1824) who wrote lots of poetry, had a very...umm..."interesting" sex life, and went off to fight for Greek independence. That revolutionary act cost him his life, albeit from disease rather than a bullet--although I think that until the 20th century most soldiers died of diseases rather than military action. He was famously described as "mad, bad and dangerous to know"--but then poets and painters generally had rather scandalous reputations.
As late as the 1950s the connection persisted, with the Beatniks famously partaking of drugs and drink, writing and reciting poetry, and voicing their perception of the hopelessly stifling middle-class world of America. As Allen Ginsberg declaimed:
I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix...
By the sixties poetry had been eclipsed by music, and the only poetry most of the bohemian artistic types, now called hippies, were really interested in was that of singer/songwriters such as Bob Dylan. There are still a few poets here and there who aren't also musicians, and a bit of poetry gets published, but almost none gets talked about in the wider world. Indeed, Ginsberg may have been the last of the outrageous, and famous, avant-garde poets.
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